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I finally managed to finish this video I’ve been working on for the last couple of weeks. So here it is, a look at the first integrated Digital Audio Tape Recorder. 

https://youtu.be/WVDCxTtn4OQ

Complicated videos like this really do take it out of me nowadays, but I felt this one deserved all the stops pulling out. It wouldn’t have been possible to make this without the support of all the patrons here. So naturally you get the usual advance screening. I hope you enjoy it. All being well, this one will go public on Saturday. 

Tomorrow I’m rearranging a couple of things in the ‘studio’ but when I’m happy, I’ll get right on with shooting the next Patreon update video. A lot of people have congratulated me on the channel reaching one million subscribers, so I’ll no doubt talk a little about that and throw in a few other topics as well. If it all works out, I plan to have that video on here at the weekend. 

I’ll be moving the release of the (shortened) dust-off head-to-head video on a week.

Have a good one (or two). 

UPDATE: A re-edit has been made to apply a slight correction. This is the version now posted above.

Files

Recording PCM Digital Audio Tapes before the CD : Technics SV-P100

Before the CD came out, you could record your own digital audio - on tape. Have a look at a HiFi unicorn, the Technics SV-P100 - the first integrated digital audio tape recorder. In this video you'll get a demo and hear about the history of PCM recording onto tape. This all took place years before the introduction of DAT - (Digital Audio Tape). If your'e interested, here's my video all about DAT that: https://youtu.be/F4K1QKKPX_g 00:00 Intro 02:34 A tour of the machine 04:38 Cutting-edge for 1980 08:14 Getting around the tape 15:53 A potted history of PCM 20:30 A quick look inside 22:04 Digital in and out? 26:43 What about VHS HiFi 28:38 Wrap up 31:17 14-bit play-out All music is from the Youtube Audio Library. https://www.youtube.com/audiolibrary/music?nv=1 I Have a Reservation - Tracktribe So Smooth - Danny Kean/Doug Maxwell The Jam - Slynk & Mr Stabalina Over Time - Vibe Tracks Special thanks to the following invaluable online resources. http://www.wishbookweb.com https://worldradiohistory.com https://www.hifiengine.com https://www.hifi-archiv.info http://www.radioshackcatalogs.com https://www.discogs.com FAQs Q) What would happen if you tried to play a normal video on the SVP-100? A) It’s mentioned in the video at 26mins 21secs - but you can see for yourself at 24mins 20secs just after I turn the machine on. You can see here what the output from the SV-P100 looks like with no tape playing. B&W stripes. That's the only video output the machine will produce. It’s either this screen with digital data or this screen without. Also the sound would be silent, because there no analog audio capabilities on the SV-P100. Q) Could you dub the digital output signal to a normal VHS machine? A) It might be possible but also consider how Technics only recommended one specific Pansonic U-Matic machine as a suitable dubbing device even though at this point Panasonic also made a whole range of VHS video recorders. This is likely because a normal VHS recorder couldn’t record a sharp enough signal. I believe that U-Matic by this point had around 330 lines of resolution as opposed to approx 250 on VHS. The composite video output circuitry in the SV-P100 was specially configured for the digital video signal transmission. It’s highly likely that it will output slightly more resolution than a normal VHS machine would be capable of capturing. The SV-P100 can however capture that resolution on its built-in VHS tape recorder because the video recording circuit isn’t standard, it’s monochrome for a start and no doubt it’s able to record a slightly higher black and white video resolution than a normal VHS video recorder could. Perhaps a decent 1990s VHS machine might stand a better chance than a 1981 VHS recorder, but even if it worked perfectly - it’s all academic as the only recordings I have on PCM VHS are just copied off an MP3 player. It would be easier to copy those MP3 files instead. If I had some rare original PCM VHS tapes I wanted to back-up, it would be better to try and capture these with a video capture card to get an off-tape backup. Alas though I don’t have any PCM tapes other than the ones I made myself. ---------------SUBSCRIBE------------------ http://www.youtube.com/user/Techmoan?sub_confirmation=1 -------------Merchandise----------------- https://teespring.com/stores/techmoan-merch -------------SUPPORT--------------- This channel can be supported through Patreon https://www.patreon.com/techmoan *******Patrons usually have early access to videos******* ----------Outro Music----------- Over Time - Vibe Tracks https://youtu.be/VSSswVZSgJw ------Outro Sound Effect------ ThatSFXGuy - https://youtu.be/5M3-ZV5-QDM

Comments

Anonymous

Very late to the party with this comment, but I'm already on my third wee dram for the evening so here goes: Isn't the most plausible explanation for audio playback through a VHS player that the PCM-stream is actually being decoded by the player's NICAM circuitry? NICAM is also PCM-based, running at 14 bits with a 32 kHz sampling rate. The similarity, yet incompatibility, would explain the drop-outs during playback. https://en.wikipedia.org/wiki/NICAM The Orion Combi 650VR isn't all that old, from what I gather (2003?) Thus, it might have a NICAM decoder in it without the fact being advertised on the box. It seems to have a headphone output - whether or not stereophonic sound comes out of it would indicate a definitive answer. BTW, also like that the SV-P100 has an indicator marked "dew check". Wouldn't want that early-morning mist interfering with your hi-fi enjoyment... 😳

Gordo

Excellent video Matt, takes me back to my recording studio days when we used a PCM-F1 & SL-F1 combo for mastering. Now I'm thinking I'll have to get a PCM-F1 (I already have an SLF-1 recorder) and do some tests to see if it sounds as good as I remember.. Your outro sounded the same to me - that would be down to that last step your processing chain - analog audio -> perception-of-sound in my noggin.. Weird seeing a 'dew alert' indicator on an audio recorder though..

techmoan

I’ve yet to try my PCM-F1 combo system - with it being 16 bit it should really sound as good as a CD - and many CDs started off on the F1. I saw an article from back in the day about a famous sound engineer who recorded classical concerts for CD releases. He tended to record them on a PCM-F1 but he also took along a giant professional fridge sized PCM recorder at the same time, because he found that people didn’t take him seriously if he just rolled up carrying the F1 and they thought he wasn’t taking them seriously either. So to make sure he looked like he was earning his wage, he carted a load of unnecessary equipment along.