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I'm getting in the habit of including all of my scripts here.  It creates a stable repository, and it provides full disclosure for potentially controversial material. 

This is full text - it's the same version that's mailed out for assembling vocal performances.  

If you think production details ruin the magic - pull back that curtain!

If you hate reading a lot of text - curtain closed!  Nowww!

If you like to see a preview and a lot of text, I got you.

Do bear in mind that this rests a LOT on performance and mixing.  The final sound and syncing will be improvised at the mic and on the DAW; scripts like this are more guidelines than scripture!

DESCRIPTION

This one is going to be intense.

On a personal note, I have a significant personal incentive to research neurology right now. I’m kinkifying it as I do. None of this is meant to pose as scientific authority or to do full on medfet. Still, kink derives from kinkified experience, so I’m kinking mine.

This takes place in a research wing of the DPI (D Program Institute). This is referenced in previous tracks; it’s part of the mythos. The ownership relationship between the DPI and Neuroplex also has not been specified yet.

CW: overtones of medical fetish, petplay, humping, HFO strongly implied and possible, repeated listening, addictive pleasure, girl gender specified in one mix, genitals specific in small section for distinct tracks, exhibitionism, automatic obedience implied, cocksucking implied but no “he” or “man” so it’s sapphic friendly, humping, edging and denial, hypnotism

EXTRA CW: This track involves the description and narration of facets of the self – AS distinct selves. This may have SOME correlation with the observed phenomenon of “brain lateralization” – but don’t get it twisted. This is a METAPHOR.

If you think, though, that you are prone to multiplicity in dangerous or disturbing ways – tulpa formation or differential personalities or anything of the sort – read the script and consider just taking a pass on this one.

NOTES FOR ACTORS:

There are three parts. NA is the narrator – a voice in the machine. Gentle female dominant, detached and clinical and amused.

NAR is the left brain standin. Reasoning and rational. Not hypnotized but gets horny enough to be hypnotized. Think of an excellent administrative assistant who gets really horny.

NAL is the right brain standin. She sounds a lot more like a spacy hippie. Think of a thick haze of smoke.

[Things in brackets] are just script notes.

SFX are sound effects for production. If you’re reading, don’t worry about those.

The sections are numbered for each of reference. Do not worry about those.

SCRIPT

1. INTO THE MACHINE

[This section is the explanation – expo – and hypnotic induction. It uses a number of stereo effects. The speaker’s affect should be gentle and slow. The idea is that the voice is coming over headphones to a machine-enclosed subject.]

[SFX: backdrop of medicalized noise, readouts and process beeps – data scrolls. Stereo wander effects, ambient background with binaural underlay]

NA:[authoritative, but slow and gentle. Think gentle medical authority] You need to relax.

NA:[pause for two beats] Really.

NA:We need to calibrate.

NA:We need to get it right.

NA:You want that.

NA:You want the right adjustment.

NA:We all do. It’s what we do here.

NA:So – relax. [pause for two beats]

NA:[empathetically] I know. It’s hard.

NA:It happens to all of us… sometimes.

NA:It’s natural.

NA:It’s hard to unplug.

NA:We get caught.

NA:Everyone gets caught in screens and buttons and little loops.

NA:[gentle, sympathetic] I do too.

NA:I think about the apps I check – the order I check them in. It’s always the same.

NA:You can think about that. It’s easy.

NA:We’ll make it easy.

NA:We always do.

NA:Just three apps. The ones you always check.

NA:One.

SFX phone pad click

NA:That one.

NA:Two.

SFX phone pad click

NA:Three.

SFX phone pad click. Start and maintain background click pattern – 1 2 3 with pausing

NA:[encouraging, patronizing] There you go! I told you this was easy. Baseline is simple.

NA:You just think what you always think.

NA:It’s your pattern

NA:Three apps.

NA:We just give it a….

NA:Nudge.

NA:Same order.

NA:And we…

NA:Speed it up.

SFX accelerate clicks

NA:[slightly faster] One.

NA:Two.

NA:Three.

NA:We speed it up….

SFX click pattern faster then slower

NA:Then we….

NA:[slower, relaxed] Slow it down.

NA:[slow and deliberate]

NA:One.

NA:Two.

NA:Three.

NA:Like that.

NA:Good.

NA:We slow it all down.

NA:Those clicks.

NA:That pattern.

NA:We see it.

NA:You hear it. You KEEP hearing it.

NA:Even when the sound stops.

SFX knob adjust, lower click volume

NA:We just plug different thoughts into

NA:One

NA:Simple

NA:Pattern

NA:The pattern’s what matters.

NA:Colors.

NA:Green.

NA:Blue.

NA:Pink.

NA:[slower] Green.

NA:Blue.

NA:Pink.

NA:That was easy.

NA:Right?

SFX affirmation ding

NA:Good! The pattern’s what matters.

NA:It’s more than colors.

NA:Things have colors – so we think about things.

NA:Green – like grass.

NA:Blue – like water.

NA:Deep water.

NA:Pink – like a balloon.

NA:Easy.

NA:Grass.

NA:Water.

NA:Balloon.

NA:You see it.

NA:Now…

NA:We blow it up.

NA:[long slow exhale, on right stereo channel]

NA:When we breathe.

NA:We breathe together when we think together.

NA:We blow up the balloon.

NA:One.

NA:[long slow inhale and exhale]

NA:Two.

NA:[long slow inhale and exhale]

NA:Three.

NA:[long slow inhale and exhale]

NA:That’s perfect – absolutely perfect.

NA:You relax now.

NA:As we breathe.

NA:One.

NA:[long slow inhale and exhale]

NA:Two.

NA:Relax.

NA:[long slow inhale and exhale]

NA:Deeper.

NA:Three.

NA:Just like that.

NA:You just breathe.

NA:Close your eyes – and breathe.

NA:[long slow inhale and exhale]

NA:We take care of everything else.

NA:We’ll make your adjustments.

NA:We fill in the patterns.

NA:We can tell you.

NA:It’s better if you know.

NA:We adjust it better when you know.

NA:You know this pattern.

SFX three clicks

NA:Yes?

[SFX affirm ding]

NA:Good.

NA:Where’s it coming from – which side?

NA:Right.

NA:I mean – it’s coming from the right. It should be.

NA:Let’s make sure it’s right.

SFX switch flip

NA:Right side – numbers.

NA:Left side – click.

NA:Move your headphones if you need to.

NA:It needs to be right. It’s important. We’ll make sure.

NA:One – right.

NA:Two – right.

NA:Three – right.

NA:It needs to be right on the right – because we need to talk to the right side of you.

NA:The right you.

NA:[slowly and deliberately] The right you’s the left you so we talk to the right side to talk to the left you.

NA:I know.

NA:It’s confusing.

NA:It’s hard to think about your brain.

NA:That’s our job – we think about your brain. That’s why we have a

[SFX sync with click pattern]

NA:D

NA:P

NA:I

NA:We make it make sense.

NA:It’s what you already know – you feel it.

NA:You know.

NA:You know you have different selves.

NA:Everyone does.

NA:You’re one way when you’re out – in public. When people see you. That’s one self.

NA:You’re another way when you have…

NA:[subtly erotic] Alone time.

NA:Yeah. We see it.

NA:Something happens in your head when I say

NA:Alone time.

NA:[whispers] alone time

NA:Ohhh – that’s really strong

NA:You like that time.

NA:That’s good!

NA:You’re in that time now.

NA:We’re here – but you do or think *whatever* comes naturally.

NA:It’s JUST like alone time.

NA:Dreamy time.

NA:Time for you.

NA:All your yous.

NA:They’re different parts of you – in different parts of your brain.

NA:So we talk to them differently.

NA:We talk to one you –

NA:[stereo R] over here

NA:We talk to ANOTHER you

NA:[stereo L] over here

NA:They’re both you – but they’re different.

NA:It’s how your brain works

2. OVERLAPPING – DREAM INTERLUDE

[This section should be spoken slowly and clearly. It may not make much sense on the page, because it’s designed to lap and overlap]

NAL:We see it – and we change it – and your brain works better

SFX overlap

NAR:Your brain works better when the right thoughts go on the right side

SFX overlap

NAL:The right side thinks the right thoughts and the left side thinks the left thoughts so we talk different to different parts of you so you understand

SFX overlap

NAR:You understand words better on this side

SFX overlap, stereo wander

NAL:This side understands feelings better so if we want you to feel something, we talk to this side

SFX overlap

NA:We talk to this side for

NAR:Logic

NAR:Planning

NAR:Numbers

NA:We talk to this side for

NAL:Intuition

NAL:Feelings

NAL:Magic

NA:They’re different yous

NA:They do different things

NAR:They think different things

NAL:They feel different things

NA:This you tracks

NAR:Numbers

NAR:Money

NAR:Thinking

NAR:Time

NA:This you tracks

NAL:Sensing

NAL:Dreams

NAL:Sinking

NAL:Rhyme

NA:All the thoughts get stronger when you both think them TOGETHER

NAL:All the yous when you both think them WHETHER you feel it or

NAR:know it

NAL:or

NAR:think it

NAL:or

NAL:sense it

NAR:Because the you you think is you is always

NAL:Because the you deep inside was always

NAR:You

NAL:Two

NAR:Who hears both the yous and chooses

NAL:Who feels both the yous and senses

NAR:Every time

NAL:Every rhyme

NA:Every chime

NA:There’s a new you

NA:There’s a self who

NAR:Thinks

NAL:Sinks

NA:There’s a you between the yous

NA:There’s a new you each time we

NAR:Each time

NAL:Every time

NAR:You see double

NAL:You hear double

NAL:You feel double

NAL:You dream double

NAR:We breathe in

NAL:We breathe out

NAR:Into the bubble

NAL:We grow the bubble

NAR:We see the bubble

NAL:We feel the bubble

NAR:I know what’s happening

NAL:I already felt what’s gonna happen

NAR:You thought it

NAL:You felt it

NAR:You see it

NAL:You dreamed it

NAR:I know it’s dream time now

NAL:It has to be been dream time now

NAR:All our thoughts

NAL:All our thoughts

NAR:Bubble goes

NAR:Bubble goes

NAL:Double goes

NAL:Double does

NAL:All of us

NAR:All my thoughts

NA:Pop

NA:Drop

NA:Stop

SFX long falling tone

NAR:Pop

NAR:Drop

NAR:Stop

NAR:[three orgasm noises – muted moan, gasp, and an “oh my gawd” oooo]

NAL:Pop

NAL:Drop

NAL:Stop

NAL:[three orgasm noises – muted moan, gasp, and an “oh my gawd” oooo]

3. SUBMISSION

[This section should be more overly dominant. Still gentle fem domme – but we’re past the explanation and into the overt sexuality here]

NA:Oooo – you liked that.

NAR:We saw that.

NAL:We felt that.

NA:That’s good!

NAR:You don’t need to worry.

NAL:You don’t want to worry

NA:Remember – it’s alone time now.

NAR:They told us to feel good

NAL:  They want us to feel good

NA:We clean the machine every time so -

NA:You’re allowed to drip.

NAR:Drip

NAL:Drop

NAR:Mind

NAL:Pop

NA:Dripping’s good!

NA:Dripping helps you drop, and dropping helps us make sure all the yous get their adjustment.

NA:Do you remember your adjustment.

NA:You asked for it.

NA:You always ask for it.

NA:You PLEADED for it.

NA:You begged.

NA:You always beg.

[long pause]

NA:Do you remember?

[long pause]

NA:I remember.

NAL:We remember.

NAR:We remember.

NA:It’s one word.

NAR:[whisper] submissive

NAL:[whisper] submissive

NA:It’s what you want.

NAR:Need

NAL:Crave

NA:You asked for it.

NA:You always ask for it.

NA:We adjust you every time

NAR:Every day

NAL:Every night

NA:Of course you forget.

NA:You always forget

NA:Then you come back for more

NAR:And more

NAL:And more

NA:That’s good!

NA:You get closer every time.

NA:You’re almost there

NAR:It’s gonna be perfect

NAL:Better and better and better and

NA:It’s simple

NA:We know you’ll be perfectly submissive

NAR:perfect

NAL:Pretty

NAL:Plesasing

NAR:Perfect

NA:You’ll be perfectly submissive when both your yous

NA:All your yous

NA:Submit together

NAL:Together

NAR:Together

NA:You’re close

NA:All your yous submit

NAR:Need to submit

NAL:Want to submit

NA:They – you – just submit a little differently

NA:We’ll show you – it’s in your triggers

SFX tuning fork strike, double bubble pop

4. CRAWL

NA:crawl

NAR:Crawl

NAL:Crawl

NAR:[slow, but precise and awake] crawling time

NAR:crawl when we hear the ding just like they taught us

NAR:I know how to do this – I remember

NAR:Right arm – left arm – no no no – I know better

NAR:Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left

NAR:and – wag– just like they told us

NAR:Always remember our tricks like a good pet

NAR:I’m a pet not a person

NAR:[pants slow then fast]

NAL: [slow, dreamy, spacy, think of WAY TOO MANY bong hits and mind unravels] crawling dreams

NAL:crawling dreams again in the cage again they have to cage us

NAL:I know we’ll do this – automatic

NAL:We know how to move – what to think

NAL:Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left

NAL:tail keeps wagging – everyone knows we’re in heat – have to wag

NAL:pets always in heat – just a silly bitch – always in heat -

NAL:I’m a pet not a person

NAL:We dream it – every night – wake up to wet pillow cause – [pants, slow then fast]

NA:All you have to do is…

NA:Rhyme

NAR:Rhyme

NAL:Rhyme

NA:Just like that!

NA:You were always pet-level.

NA:It was always in your head – we just had to line it up.

NA:You did the work for us. That’s how it should be.

NAR:It feels right

NAL:It feels good

NA:Just like when you….

SFX whoosh for thrown object

SFX tuning fork noise, double bubble pop

5. FETCH

NA:Fetch!

SFX ball dropping on hardwood floor

NAR:[obedient] fetch!

NAL:[panting, puppylike] fetch!

NAR:[more human, logical, obeying commands but still conscious] I’ve got it I know I’ve got I can see it see it sparkle follow the sparkle

NAL:[do once slow spacy, once silly enthused] sparkly shiny happy sparkly shiny happy

NAR:got it! Ball in mouth – no hands this time – good pets don’t use hands – only good pets get treatstick – no hands just mouth - its good to drip – drip from every hole – dripping holes gets used – they’ll use every hole if we

NAR:[pant for 15 seconds] [whimper for 30 seconds]

NAL:yummy! Yummy! Mouth time! Mouth time means

NAL:: [pant for 15 seconds] [whimper for 30 seconds]

NA:Awwww

NA:What a precious pet!

NA:Well, pets.

[SFX two thunks as pets drop balls]

NA:I know them both – and so do you.

NA:You can see them.

NA:See them with me.

NA:You see outside self.

NA:Logical – normal.

NA:But there’s something underneath.

NA:Secret collars.

NA:Writing under your clothes.

NA:Dripping wet in the pet aisle.

NA:Dripping wet just like – HER.

NA:Dreamy.

NA:Drifting.

NA:Always touching.

NA:Always panting.

NA:Always in heat.

NA:All we do is – make them match.

NA:[double clap] Clothes off, Gigi. No clothes in here.

SFX clothes drop to floor

NA:And for Fifi – well, you might have to think a little bit now.

NAL:[whiny whimpers, do three]

NA:Awwww – it’s ok – you still think what you’re told.

NA:You think together – You know I love it when you

SFX tuning fork

6. SPEAK

NA:Speak!

[these mantras are the underlay for the main narrator saying]

NAR:[repeat three times, increasing horny] I’m nothing but a dripping pet – I stay leashed and chained and wet.

NAR:[repeat three times, increasing horny] I’m a silly bitch in heat – I’ll fuck anyone for treats

NAR:[repeat three times, increasing horny] Spread my legs and you can see – I don’t need brains or dignity.

NAL:[repeat three times, increasing horny] I’m nothing but a dripping pet – I stay leashed and chained and wet.

NAL:[repeat three times, increasing horny] I’m a silly bitch in heat – I’ll fuck anyone for treats

NAL:[repeat three times, increasing horny] Spread my legs and you can see – I don’t need brains or dignity.

[the mantras and panting underlay…]

NA:I promised you’d like it! It’s different from other words.

NA:Words like that are just music.

NA:That’s past thinking.

NA:It’s past feeling.

NA:It happens when you go deeper.

NA:Double deep.

[SFX tuning fork twice]

NA:Double deep means we touch a different part of your brain.

NA:All the way back.

NA:Back with reflexes.

NA:You remember differently.

NA:Like riding a bike.

NA:Throwing a ball.

SFX ball throw, retrieval drop

NA:Good Gigi! [giggles]

NA:You never forget.

NA:You get on the bike.

NA:Ball in your hand.

NA:Ball in your mouth.

NA:You hear the tone and ….

NA:Your body remembers.

NA:All at once.

NA:Your body knows what to do – it just takes

NA:One word

SFX clock wind, tuning fork, double bubble pop

7. SUCK

NA:Suck

[this section is underlaid with suck dialogue and sounds from the other part]

SFX double knee drop

NA:It’s double now

NA:And double again

NA:And again

NA:Double bubble makes words more than words

NA:Words more than words because

NA:You don’t think about them

NA:It’s different from thinking

NA:Deeper than thinking

NA:It’s a reflex

NA:Like when we

NA:Tap your knee

NA:When we run an ice cube over your nipple

SFX: reverse triangle

NA:Again

NA:And again

NA:And again

NA:When we

NA:Tickle

SFX tuning fork, double pop - giggle

NA:It tickles in your head

NA:It tickles in your throat

NA:It tickles down there

NA:[genital variant] It tickles your clit

NA:[genital variant] It tickles your cock

NA:[genital variant] It makes your cunt

NA:[genital variant] clench

NA:[genital variant] It makes your cock

NA:[genital variant] twitch

NA:[genital variant] It’s automatic

NA:[genital variant] All the muscles around your cock

NA:[genital variant] All the muscles – down there

NA:Clench

NA:Almost there

NA:Almost

NA:Not yet

NA:Cumming’s a reflex too

NA:Like catching a ball

NA:Like your tickles

NA:You have to earn those tickles

NA:You have to earn those tingles

NA:You have to do something for us first

NA:You have to….

[this section is mantric and underlays the main dialogue up until the…]

NAR:[underlaid as mantra – say three times] Tick – tock – suck - cock

NAL:[underlaid as mantra – say three times] Tick – tock – suck - cock

NAR:[underlaid as mantra – say with mouth full twice] Tick – tock – suck - cock

NAL:[underlaid as mantra – say with mouth full twice] Tick – tock – suck – cock

NAR:I suck it right – always suck it right – head bobs up and down and up and down and – tongue swirls round and round and – gag like a good girl – good girls gag for Owner – Owner loves it when we gag – look up like a bad girl – bad girls are good girls are bad girls are good girls are bad girls

NAL:[say with mouth full] suck it right – always suck it right – head bobs up and down and up and down and – tongue swirls round and round and – gag like a good girl – good girls gag for Owner – Owner loves it when we gag – look up like a bad girl – bad girls are good girls are bad girls are good girls are bad girls

8. HUMP

[this section’s underlaid by mantra – it’s the throughline]

NA:Hump

NA:Uh huh.

NA:Just like that.

NA:I told you.

NA:You’ll hump ANYWHERE.

NA:Table edges.

NA:Stuffies

NA:Couch cushions.

NA:Gear shifts

NA:The passenger seat

NA:On the bar

NA:On cam

NA:Right in the middle of the party

NA:Now

NA:In the experiment

NA:All the doctors watching

NA:Cum in your little observation chamber

NA:Cum in the machine

NA:I TOLD you – we always clean the machine

NA:We HAVE to clean it with bunnies like you

NA:Just like you have to hump

NA:You HAVE to hump

NA:We made you a hump bunny

NA:Bunnies hop without thinking

NA:Muscle memory

NA:All the way back in your brain

NA:Hop

NA:Hop for us

NA:[giggles]

NA:Breed

NA:Hump bunnies breed when we

SFX tingle pitch

NA:Bunny brain

NA:Bunny reflex

NA:Reflex means you

NA:Hump

NA:Twitch

NA:You don’t think about humping

NA:Your muscles just

NA:Clench

NA:I think you’re gonna cum

NA:Clench

NA:You’re ready

NA:Clench

NA:You’re gonna cum

NA:Cum without hands

NA:Cum in the machine

NA:Cum LIKE a machine

NA:Clench like a machine

NA:Hear the sound and…

NA:Clench

NA:Cum just from clenching

NA:Cum from humping

NA:Cum from….

[these lines are underlaid as backdrop and mantra for the throughline]

NAR:[slowly escalating intensity, as if humping to orgasm] hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump– and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – oh fuck – oh fuck – so close – so close – oh my god – oh my fucking god – I’m gonna – I’m gonna – oh my god – gahhhh – cum bunny – hump bunny – bu bub ubbubub ububbbhbuubuubu – ummm – [climax noise]

NAL:[slowly escalating intensity, as if humping to orgasm] hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump– and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump - hump – oh fuck – oh fuck – so close – so close – oh my god – oh my fucking god – I’m gonna – I’m gonna – oh my god –  – cum bunny – hump bunny – bu bub ubbubub ububbbhbuubuubu – ummm – [climax noise]

9. POST NUT

SFX – climax of beeping and reverse triangle, riser

SFX – drop to HFO low for 5 seconds

NA:Almost

NA:ALMOST

NA:That was ALMOST perfect

NA:You almost got it right

NA:You almost got the double bubble

NA:The perfect pop

NA:You know it

NA:You feel it

NA:You know it deep inside

NA:You feel it deep inside

NA:You’ll get there

NA:You’ll get the perfect pop

NA:You just need practice – and you’ll practice

NA:You’ll hear something here

NA:Or here

NA:Maybe you’ll think it

NAR:It might be me

NA:Maybe you’ll feel it

NAL:It might be

NA:You’ll lick your lips

NA:You’ll get on your knees

NA:You’ll be on all fours

NA:You’ll crawl back inside

NA:You’ll listen again

NAR:and again and again

NAR:and again

NAL:And again

NAL:And again

NA:You’ll beg and you’ll crawl every day to listen again

NA:We saw inside your brain

NA:And we know what you need

Comments

Anonymous

I'm not sure who did the vocals for this character, but the customer in Hump Wave could be NA, would also be an interesting cross connect & explain how the customer knew how the controls worked.