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First, just wanted to celebrate that Bondsfungi passed the peak of Chasmfall and set a new record for the series! I'm curious to see if it can go higher... this would be a great time to check it out or leave reviews! We're higher than usual, but we also got weird reviews faster than normal...

With this crazy release weekend (both TWC5 and the NGM2 audiobook), I wanted to take a break from all that to write some more abstract thoughts about my goals and plans for The Weirkey Chronicles. I'm not sure if this will inspire any responses, but I hope the insight into my considerations will be interesting.

When planning the pacing of the series, I seriously considered the possibility of a plot arc in which the fifth and sixth books wouldn't really exist as they do now. Instead, there would have been a single novel covering what you will read in the fifth through seventh books. Of course, this would have necessitated dropping a significant number of plotlines.

I have no doubt that for some readers, this alternative plan would have been superior, as there are already some who feel the series is too slow. For a non-negligible number of people in progression fantasy, quality is measured by advancements per book. I am reasonably certain that the combined version of these arcs would have sold better.

My personal preferences for pacing are slower than this average, and I designed soulcrafting along my ideal lines. I wanted each ascension to feel impactful and have social or political repercussions as well. Above all, I wanted readers to really believe that the details of the system (blueprint design, layout efficiency, etc) matter. But that means in the sixth book, Theo won't level up hugely, at least not in a Numbers Go Up sort of way. This is the section of the plot where I predicted that some readers would drop off, back at the dawn of my plans.

However, I took a step back and considered what I fundamentally wanted The Weirkey Chronicles to be. I hope to build this story over the long term, exploring nine full worlds and a broad cast of characters. For this story's conclusion to ultimately work, I need to have built up an enormous amount of investment over the course of the series. I hope that these building blocks I've introduced feel substantial as opposed to filler.

The question of "filler" is of course a personal one. I think I've made clear that TWC will be focused on more than singular advancement. On another note, I've seen a few comments from readers suggesting that they view the mystery of Vistgil as the primary story and everything else as filler. These readers will, I fear, be disappointed, because I consider all these plotlines (even those without an obvious purpose so far) to be essential.

That said... those of you who have been waiting for answers should be happy with the sixth book. ^-^ No spoilers, but Theo will finally get a chance to ask certain questions. There will also be some major revelations about soulcrafting that have only been hinted at up to these point, and I wanted to give all of these elements time to breathe instead of cramming them into a skeleton plot.

For all of these reasons, I hope that my readers will ultimately find this version of the story more satisfying. I know I've discussed deconstruction and the like frequently, but this is honestly one of my main desires: I want the highlight moments of stories to feel earned. Those are always the most enjoyable series for me, and I hope to keep building on the foundation I've established here.

The schedule is still a bit weird, but chapters next week.

Comments

holothuroid

I celebrate Forge of Destiny. Weirkey is no way slower than that, and Forge shows that a big cast can really pay off.

Cameron C

I think the strong themes of multiculturalism and seeing different cultures and how they interact makes for a stronger story than simply a focused grind of soulhome materials. Having Theo be the dedicated soulcrafter who spends an obsessive amount of time pairs well with the other characters - you basically have a progression focused character to satisfy that reader, while also handling the larger theme. I really enjoy this series. Left a review earlier as I thought this most recent book was the best one yet

Martin Kalum

I think slow cultivation Pay out in a different way, more accomplismemt feel when it finaly do happen. I think the pacing is good. Also the book give the feel theo was rushing alot of the way. Also it show infinite inprovememt Pay out more, which i like alot. Also it a great way to do the incarnation Thing without the main person getting OP out of the gate

Ian Allen

I just wanted to chime in and say that I really enjoy the pacing of your books. I don't feel like they're slow. One of the things I really enjoy about Weirkey Chronicles is that it focuses on more than just the numbers-go-up aspect of progression fantasy (unlike, for example and in my opinion, Iron Prince, which despite its popularity isn't a tenth the story that Weirkey is). I love the settings, the character interactions, the character growth, and generally the sense that, in my minds-eye, I can really 'see' the worlds as the characters go through them. Thanks for taking the time to paint such a clear picture

sarahlin

Hopefully readers will feel that way as I build up to convergences. One of my goals is to build up enough reader investment that I can pull off large conflicts with a solid sense of stakes.

Anonymous

I don't mind slower pacing, the main potential drawback there, in my opinion, is if the 'end game' will take a truly enormous amount of time to get to, or won't ever be reached. For example, He Who Fights With Monsters is more than 600 chapters in, and the protagonist still has an extremely long way to go before any kind of end game. For The Wandering Inn, I dropped it when it was at a staggering 7 million words, and the mysteries of the world had barely been explored. It would probably need 20 million words or more in total to finish the story, as it were. Forge of Destiny? Initial progression pacing was fine, but ever since the end of the outer sect arc, it's been so slow -- and decelerating -- that I don't think Ling Qi will ever reach the apex of power within the story, unless we get one or more massive time skips. Basically, does the pacing here mean that The Weirkey Chronicles will have to be a twenty-five book series to finish out? And if it does mean that, is that actually realistic? That would be my concern with slower pacing in general.

sarahlin

Yeah, it's a valid concern, especially in a genre where many stories are never finished. One of the reason I did two completed trilogies first was in the hope that readers would trust me with something longer. Instead of promises about specific length, let me say this: I hope the sense of progression toward the conclusion will be tangible. The first few books built a foundation and let the characters have more of an impact on their worlds. By the end of the seventh, there should be no mistaking that the story is in the midgame. Through it all, the endgame will slowly become clearer. It will be a long path, but not that many million words.

Josiah

All three MCs perfecting/rebuilding their soul home is still numbers go up imo. The combination of building up anticipation for a breakthrough while it not feeling like stagnation could be a really satisfying combination depending on how it’s done. Either way it doesn’t really matter if they advance or not if it’s entertaining. People only really call things filler when they feel it doesn’t actually matter to what the story was up to that point and if it’s boring. So a detour to characters no one cares about doing things no one cares about in a boring way is filler, but interesting characters doing interesting things even tangentially related to development or plot is entertaining. It doesn’t really matter whether it’s slow or numbers don’t go up as long as it’s interesting. That’s my two cents on how people determine things as filler.

Anonymous

I agree. Many people find achievements in itself entertaining, but the Weirkey chronicles does differentiate itself from the competition by having a fuller, richer narrative.

Felix Smit

I was actually a real fan of the pacing of the previous book. In most stories I have read, there is allot of emphasis on how difficult certain aspects of magical progression is and somehow when it the time finally comes for the character to progress it happens far too easily for my taste. After reading the first 3 books, I was honestly expecting an ascension per book. I loved the fact that it was not the case in Bondsfungi. In the first few books 'quick' progress in soulcrafting was a requirement to posses some modicum of social standing. Now that Theo has obtained the means, I was excited to see his no-compromise attitude to soulcrafting really shine through as opposed to simply hastening his progression. I can easily see Theo not ascending in Bloodcrete as it seems like hes still quite far of from perfecting his three floors. I think those who would find his progress in the next book too slow, can be sated by Fiyu and Nadia's progress.

Felix Smit

I'm especially looking forward to the gritty details of Theo's sensing technique and overall cantae flow. The first as it actually needs to be developed instead of just gaining it when one obtains magic or in this case soulcrafting. The latter particularly as its importance has been given quite allot of emphasis. I feel a bit in the dark about it and am eager to see the true benefits come to fruition. Will it behave like planets in orbit, if so how is the interchange between floors managed without adding turbulence? Or will it behave more like air in a tornado? ("Cold air" moving downwards close to the center and "hot air" moving upwards near the circumference.)

Runcible Technician

I haven't noticed you using filler in your books. Even though The Brightest Shadow is a behemoth, all the individual parts seem to add to the sum total of the characters and narrative. As for progression, the pacing seems to be fine, averaging one level every two books. You even have a built in stopper with outsiders saying that ascending to Authority is much harder for someone on the second run through the Nine. Selfishly, I would love to see your work without any compromises for the audience, but this puts food on the table, so I get it.

sarahlin

If those are your expectations, I hope you'll enjoy this book, because some of those were my exact goals! The one element that may not quite work is Theo's cantae flow: while there will be some significant focus on it this book, perhaps it hasn't been described clearly enough to this point. His overall cantae pattern is meant to be a sphere filling his first threee floors, so all his flows are like orbits around his central singularity. I did try to pace Fiyu and Nauda so that someone is always doing interesting new things while the others are working on slower soulcrafting. Unfortunately, I underestimated for how many readers only the protagonist counts.

Inv7ctus

People who think the only yardstick of progress in progression fantasy is advancement are fools. A magic system is a fundamental building block upon which a story is built, and while essential, it is not in and of itself the story. While the nature of each characters' soulcrafting is always a core part of their character, I personally am most invested in the developing relationships between the characters, and their own journeys of self discovery. I am excited to see where the soulcrafting goes, and to discover the yet unknown secrets, because I love the nitty gritty of how magic systems work, buts its not why I'm reading. I want to see theo learn what he wants power for, I want to see him grow as a person and find things and people that mean more to him than he thought possible. I want to see our characters matter and have tangible effects on the worlds and people they touch. So take your time and write those plot threads, make the book you want to see. Its what differentiates a great book from the mediocre, and there is PLENTY of mediocre books in this genere.

Jerek Kimble

Brandon Sanderson said something similar. It stops feeling like progress if you fail to make the correct promises at the beginning or fail to deliver on the promises you made.

Tobias Begley

Personally, I don't feel that your series is slow at all. (Then again, I love Forge of Destiny and such, and some find that slow and slice of life, so grain of salt). For example, while Theo may not have advanced in a "Numbers go up" way, he got a lot stronger in Bondsfungi. Ultimately, I am of the opinion that every single plot line and bit of information doesn't need to be revealed in the books. Hints of it can be in anthologies, hints in the background, and if there's enough leftover, there can even be room in other series set in the same world. Weirkey in particular is ripe for this, in my opinion. Even if the main series never hits certain points, you could write an entire series just exploring a single world - and you have far more than just one world. I'm not saying to do this at all. But it seems genuinely possible to have protagonists who never meet or cross over with Theo in any way shape or form.