URBANUDISTS ON LIMA STREESTS PART V (Patreon)

Among the initial ideas was to take pictures on public transport and there was also the other idea that was to take pictures in areas where there were more people. But as we had already had an encounter with the police we were not with the same confidence in doing so. That is why the point that we finally decided would be appropriate, was a pedestrian bridge, one of the many pedestrian bridges that cross Evitamiento Avenue  that is one of the largest in Lima, a highway that surrounds the city and makes a link between the Pan-American Highway North and the Pan-American Highway South. We advanced along the avenue and we remained undecided in which of them it could be, there are many bridges, some very busy and others not so busy. We had to choose one. We parked the car and made the recognition. It was a structure that crosses an avenue of approximately 8 lanes and where there were almost no people despite the fact that on both sides of the bridge there were public transport stops. We crossed the bridge and saw the large number of vehicles that transit. The idea that an accident could be caused and that we were too exposed was fluttering in our heads. The bridge is elevated above the avenue so that low-speed vehicles of all sizes pass underneath, most of them heavy-duty trucks.

We crossed the bridge from side to side and at the other end, down at the edge of the road, at one of the bus stops, there was a regular number of people waiting for public transport about 200 meters from the bridge. There, we took the first photo. Jacqueline had to get into a nudist mode in the middle of the stairs that connected the bridge with the whereabouts and walk up so that people in the background could be seen waiting for public transport. The same movement was repeated several times, Jacqueline climbed the bridge, passed in front of the photographer who was at one end and crossed the bridge more or less halfway. When doing that tour some people passed but most said nothing and just passed. Those who were down at the whereabouts made some noise inaudible to us. I could tell they made comments and laughed. A somewhat older man stopped and warned us. "Do it fast because serenazgo will come," he told us, so our accomplice became. The middle of the bridge was an interesting place to take pictures. So we took some there, first in textile mode, then in nudist mode and with vehicular traffic down. Our models did not pose together this time. First Jacqueline did it and then we worked with Celso. Celso walked several times across the bridge and while doing so something quite curious happened. A person passing the bridge recognized Celso and he also recognized her, she was a woman in her 40s. He stood next to him and they started talking. I from the other end of the bridge did not quite understand what was happening and then Celso explained that he was someone familiar with him. We were already for a while in the place and I was afraid that the serenazgo would appear anywhere or worse still the police. Come on, I said, and we went down to the car. Jacqueline was at that point already very excited about urbanudist photos and was encouraged to stop a public transport bus and get on to take some photos inside the bus. It was a good idea, she was willing, there were many buses, Celso could reach us in her van at the next whereabouts, but I don't know why I didn't dare, I think I had a hunch and decided to continue to our last location, the house of some friends where I was staying in Lima. We all got into the car and went to our last stop, Finally I felt some peace of mind.

Leon Madero