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My additional light was constantly on for the whole shooting with Annalisa.
I found it particularly useful in cases like this, to reduce the contrast between exterior light and backlit model, and keeping most of the curtain details intact, even if it was creating new shadows on the Annalisa.
Also the daylight temperature of the spotlight was useful to maintain a consistent color with the light streaming through the window.

Sometimes I'm asking to myself if the Leica SL2-S is actually better than the older Panasonic S1, or even as good as...
I'm happy to give it many more chance to shine, but I must confess that my relationship with the Panasonic camera has been perfect right from the start, whilst I'm having some problems with the Leica camera, both whilst I'm shooting, as well as in the post production of the files.
Possibly, with more experience, the Leica might take the lead but, for the moment, it has started way behind the point where the Panasonic had started!

If you want to learn more about the Bramley Apple Project or Archives, ask me on bramleyapple@yahoo.com

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