My Approach to Kdrama Recording Logistics, (Patreon)

“Edit: there’s nothing in this post that implies anything against reacting “twinkling watermelon”. in fact it’s referenced as a show I’m aiming to cover. I was mistaken about the episode length of “marry my husband” some how people read this and started talking about twinkling water melon. Which is their right to do. But i dont see what about this post inspired that

My Approach to Kdrama Recording Logistics, 

Its not JUST VIEWS, (REMEMBER NOT ALL THE KDRAMAS ARE EVEN ON YOUTUBE)

I apply various forms of Nuance in making decisions, thats why I ask you Questions rather than JUST Poll, I talk and gather the Nuance to make a choice along the lines of the following:

1. Why Relevancy Matters to Me:

Relevancy is crucial in my decision-making process when it comes to choosing Kdramas for my channel. I focus on both Timeless Shows and New Shows because they each have their unique appeal. Timeless shows like "Goblin," "Itaewon Class," and "It's Okay to Not Be Okay" have enduring popularity, so I can record them at any time. However, I aim to cover New Shows like "Moving," "Twinkling Watermelon," and "Worst of Evil" while they're airing because that’s when they're most relevant. I've learned that covering new shows too late means missing out on valuable "Relevancy Points."

2. Length and My Weekly Recording Cap:

I look out for Kdramas that are around 12 episodes, each 1 hour long (Marry My Husband), because this format allows me to explore more stories and fit more shows into my week. Juggling two longer Kdramas, especially those with 16-20 episodes at 70 minutes each, makes it difficult to maintain a diverse content schedule that includes anime and Western live-action as well. I post two Kdramas at once to cater to different tastes, bingeing one to completion before rotating it. This approach also helps me keep the content fresh by alternating between Kdrama genres.

3. Navigating My 27-Hour Recording Limit:

I've set myself a strict maximum of 27 hours a week for recording. This limit challenges me in two main ways: Editing, Recording My Other Channels Content, Responding, and General EVERYTHING ELSE I GOTTA DO LOL!

• I need to carefully choose shows based on their episode length to make the most of my recording time.
• Balancing this recording schedule with the demands of a traditional job means I have to ensure the content I produce is truly worth the time I invest in it, essentially justifying my choice not to work a conventional job.

4. Engaging with an Active Community:

Being part of the conversations around new shows is important to me, both as a content creator and a fan. New releases spark discussions on social media and in comment sections, and I don’t want to miss out on that. While I understand the value of covering older, classic shows that my audience requests, I also want to stay connected with what’s current. I watch what my community watches, and I don’t want to miss out on the hype.

From this first-person perspective, you can see how I meticulously balance my content strategy to cater to my audience's diverse preferences while also satisfying my personal interests. My approach is a careful blend of engaging with trending content and honoring timeless classics, all within the logistical confines of my recording schedule.  Top Ten Channel:TopTenTenmedia https://www.youtube.com/channel/UCuNdZh1QIN_oQ1E4_HGux2g?sub_confirmation=1