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'Report to the Armed Forces Number: Issue Number 141...


This film provides visual documentation of World War I, World War II, and Korea, showing photography use for tactical and strategic planning; intelligence; reconnaissance; identification; evaluation; training; information; and historical purposes. It also illustrates how photography can be used as a weapon.'


Originally a public domain film from the National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.

The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).


https://en.wikipedia.org/wiki/War_photography

Wikipedia license: http://creativecommons.org/licenses/by-sa/3.0/


War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena...


World War I was one of the first conflicts during which cameras were small enough to be carried on one's person. Canadian soldier Jack Turner secretly and illegally brought a camera to the battlefront and made photographs.


In the 20th century, professional photographers covered all the major conflicts, and many were killed as a consequence, among which was Robert Capa, who covered the Spanish Civil War, the Second Sino-Japanese War, the D-Day landings and the fall of Paris, and conflicts in the 1950s until his death by a landmine in Indochina in May 1954. Photojournilst Dickey Chapelle was killed by a landmine in Vietnam, in November 1965. The Raising the Flag on Iwo Jima in 1945 was taken by photojournalist Joe Rosenthal.


Unlike paintings, which presented a single illustration of a specific event, photography offered the opportunity for an extensive amount of imagery to enter circulation. The proliferation of the photographic images allowed the public to be well informed in the discourses of war. The advent of mass-reproduced images of war were not only used to inform the public but they served as imprints of the time and as historical recordings.


Mass-produced images did have consequences. Besides informing the public, the glut of images in distribution over-saturated the market, allowing viewers to develop the ability to disregard the immediate value and historical importance of certain photographs. Despite this, photojournalists continue to cover conflicts around the world.


Profession today


Journalists and photographers are protected by international conventions of armed warfare, but history shows that they are often considered targets by warring groups — sometimes to show hatred of their opponents and other times to prevent the facts shown in the photographs from being known. War photography has become more dangerous with the advent of terrorism in armed conflict as some terrorists target journalists and photographers. In the Iraq War, 36 photographers and camera operators were abducted or killed during the conflict from 2003–2009.


Several have even been killed by US fire; two Iraqi journalists working for Reuters were notably strafed by a helicopter during the July 12, 2007, Baghdad airstrike, yielding a scandal when WikiLeaks published the video of the gun camera. Hilda Clayton was killed when the mortar she was photographing accidentally exploded. War photographers need not necessarily work near active fighting; instead they may document the aftermath of conflict. The German photographer Frauke Eigen created a photographic exhibition about war crimes in Kosovo which focused on the clothing and belongings of the victims of ethnic cleansing, rather than on their corpses. Eigen's photographs were taken during the exhumation of mass graves, and were later used as evidence by the International Criminal Tribunal for the former Yugoslavia...

Files

The Role of the Combat Cameraman 1952 US Army

Support this channel: https://paypal.me/jeffquitney OR https://www.patreon.com/jeffquitney more at http://quickfound.net/ 'Report to the Armed Forces Number: Issue Number 141... This film provides visual documentation of World War I, World War II, and Korea, showing photography use for tactical and strategic planning; intelligence; reconnaissance; identification; evaluation; training; information; and historical purposes.

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