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This week, Milo, Nate, and Alice watched the 1995 Kathryn Bigelow film STRANGE DAYS, in which Ray Fiennes is a lovelorn memory-salesman hawking minidiscs that let you experience other people's consciousness. It's a bizarre document from the time in which its made, it's a film with cult status in certain quarters, and it posits the notion that to get over your problems, you need Angela Bassett to kick your ass. Hope you enjoy!

Comments

D Iva Facliffe

Why is this flick so impossible to stream?

Anonymous

Hot take but The Hurt Locker still holds up and is pure sensory cinema. It only looks bad in hindsight due to the fucked politics (and surprisingly boring pacing) of Zero Dark Thirty and it gets lumped in with it just because it’s also a war movie. Also it does lose some of its power when watching at home. Bigelow is an underrated provider of big movie magic