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Hello friends,

Welcome back to Swiftlessons for a complete rhythm and lead guitar break down of the Waylon Jennings classic "Luckenbach, Texas" (Back to the Basics of Love). In this session I'll take you through chord progressions and strumming techniuques for the intro, verse, and chorus sections, and break down classic country guitar licks and melodies. Let's get started!

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Must Know Country Guitar Songs - "Luckenbach, Texas" - Waylon Jennings Lesson

Tabs & Chord Sheets for Must Know Country Guitar Songs Available at: Patreon.com/Swiftlessons! Hello friends, Welcome back to Swiftlessons for a complete rhythm and lead guitar break down of the Waylon Jennings classic "Luckenbach, Texas" (Back to the Basics of Love). In this session I'll take you through chord progressions and strumming techniuques for the intro, verse, and chorus sections, and break down classic country guitar licks and melodies. Let's get started! Navigation: 0:00 - Introduction 0:50 - Demonstration 4:22 - Intro Section 7:20 - Chorus Rhythm 12:00 - Chorus Lead 21:45 - Verse Section 23:10 - Finishing Up My gear: • Guitar: Furch Red GC-LC - See more at Furchguitars.com • Guitar Strings - https://amzn.to/3hzkhKz • MOTU 1248 Audio Interface - http://bit.ly/2XNw3qq • Earthworks SR25 Instrument Microphone - http://bit.ly/2Oo0CjB • Fender Telecaster Deluxe Guitar - imp.i114863.net/BjNEx • Fender Supersonic Amplifier: https://imp.i114863.net/5RRX9 Bonus resources available at: https://www.patreon.com/posts/53290645 ___________________________________________________________________ Links: Bonus Resources - http://Patreon.com/Swiftlessons Request a song at: http://swiftguitar.com/request Facebook: http://facebook.com/swiftguitarlessons Instagram: https://instagram.com/swiftguitarlessons Twitter: https://twitter.com/swiftlessons #guitarlessons #learnguitar #country

Comments

Anonymous

I love the way you've broken this down, although I really think it works better when you use a D7 throughout, functioning as a simple V7-I. The G7 is functioning (the few times it appears), as the V7 of the IV (C), so we still need the good ol' V7 that takes us back to the tonic (in this case, G). Try it with a D7 instead of a DM, and I believe you'll see that it sounds and plays with a lot more logic.