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Learn a Complete Jazz Blues Guitar Solo | 8 Hot Licks & How They Work! (Patreon)

Published:
2020-07-12 01:53:12
Imported:
2023-07

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Hello friends,

Welcome back to Swiftlessons for another lead guitar tutorial. In today's session we'll be building upon our knowledge of jazz-blues soloing techniques, learning a complete solo over an advanced 12 bar progression. We'll begin this session by reviewing the chords we're playing over before thoroughly analyzing the inner-workings of each phrase.

Let's get started!

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Learn a Complete Jazz Blues Guitar Solo | 8 Hot Licks & How They Work!

Printable tabs and Guitar Pro 7 available at: https://www.patreon.com/posts/39226333 Hello friends, Welcome back to Swiftlessons for another lead guitar tutorial. In today's session we'll be building upon our knowledge of jazz-blues soloing techniques, learning a complete solo over an advanced 12 bar progression. We'll begin this session by reviewing the chords we're playing over before thoroughly analyzing the inner-workings of each phrase. Let's get started! ___________________________________________________________________ Links: Bonus Resources - http://Patreon.com/Swiftlessons Request a song at: http://swiftguitar.com/request Facebook: http://facebook.com/swiftguitarlessons Instagram: https://instagram.com/swiftguitarlessons Twitter: https://twitter.com/swiftlessons

Comments

Anonymous

Rob the best soloing is I'm capable of is the pentatonic. Why is boxes one and two always the relative minor and mojor respectfully?

Anonymous

Rick is there access to these chord diagrams. Terrific lesson!

Anonymous

I find the 9th's, 11th's, flats, sharps , minors not difficult chords themselves but in Jazz you need the tone and color so chord inversions are used to get the sounds which uses more difficult chord shapes. I cannot get my thumb over the neck to mute or esp. hold down the low E. So I will use my standard bar chords and just play a G#7 and the 9th's will not be an issue using A shape barre chords. Only because atm i am practicing soloing which I pretty well suck at.

swiftlessons
>>40261066

Hey Jeff, here's a link to the lesson break down the chord progression: https://www.patreon.com/posts/essential-rhythm-38212587

swiftlessons
>>40237968

Hey Tracy, relative major and minor pentatonic scales share the exact same notes, the only difference is which note is thought of as the root or "tonal center." For example, C major pentatonic and Am pentatonic are relative scales that share the same notes. If you were to play the C major scale over the Am chord, it would sound minor, and vice versa.

swiftlessons

Hey friends, you can enjoy a complete lesson and tab for the progression used in this lesson at:https://www.patreon.com/posts/essential-rhythm-38212587

Anonymous
>>40237968

I think it's clear to me now. I think I'm over thinking the scale. It just makes sense that tonal centers are presented first and the fret board determines the box that is used. Ok

Anonymous
>>40237968

Actually the fb determines the fret s where the boxes start. I think that's it. Appreciate the quick response 👍😊

Anonymous
>>40237968

The notes are layed out in their natural order starting w the relative minor. I see now why it's put together the way. I should of thought about it some more. I got it I guess. Thanks again