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Hi Everyone,

I've been trying to figure out how to meet everyone's needs as effectively (and efficiently) as possible. I get a lot of questions on here and I LOVE answering questions, but I don't think its very effective for me to go around typing away for each person's questions. Office Hours is an attempt to create a place where I can answer everyone's questions in the most public, accessible way possible.

My first OFFICE HOURS Livestream will be this Thursday the 24th at 1pm PST - join live if you can or post your questions here and I'll answer them on Thursday!

I'll still be in the community forum checking out your homework and chiming in here and there, but I thought there should be a place where people can ask pressing questions and I can maximize the value of the answering those questions by making a space just for those questions.

I'll start the stream by hunting around my Patreon for general questions from folks, then I'll tackle the questions you post right here on this post, or on the community forum post, which will let you add audio, pictures, or even a video.

For now, I'm going to treat OFFICE HOURS as a free-for-all. Ask questions about whatever you like and I'll do my best to give it due attention. If this becomes a regular thing, I may have to add rules or restrictions, but for now ask about anything you like!

Check out the Lesson Archive for more Live Stream lessons.

Files

OFFICE HOURS 1

Comments

Abhigyan Ojha

This is great. I am not sure across what geography most of your community is from. But is there a possibility you can set a different time to accomodate maybe maximum people across different geography. I am in India and 1 PM PST way too late during the night for me to join it live. Any suggestions?

Tasha McManus

I am working on a chord progression which is primarily C minor and G minor, but also contains a D7, Cm7, Bb, A7 ‘turnaround’ back to the verse again, giving it a bluesy feel. I would say it is in G minor or C Dorian, but for the ‘wildcard’ chords that fall outside of the key. I should probably send you a voice memo. I still suck at playing it, so we’ll see how it goes. Thx!

George Brotherston

Office hours?!? What a great idea! I'll put this in my calendar and hope to join in soon!

Tasha McManus

Dude, thanks! I so appreciate you sharing about your own musical journey and for the continued encouragement. I am STILL overcoming some pretty dogmatic musical upbringing, so it helps. Just having fun with music is a tall order. The new tune I asked about is metamorphosing before my eyes, but I’ll see if I can get something semi-nailed down and submit a voice memo.

Tasha McManus

PS— here’s a good Soukous groove for you (kicks in at 1:34, then takes it up a notch again at 2:28). awwww yeahhhh. Lol, I guess I never posted the link. Haha, wonder which tune that was!

Archiette Watts

I have so busy trying to follow your suggested start for new members of this community--Music Theory. It is great and understandable. However, when I try to figure out and/or assign your great explanations and erase old teaching, I become very frustrated. I am trying to do this journey with only your directions. Your videos, reviews, homework, and PDFs are GREAT. I need help trying to see where are these SHAPES! I need Help here. So far I understand and have developed drills for knowing the fretboard, major/minor formulas, Intervals somewhat, but Octave Shapes-NO, Circle of Fifths theory, not finished homework yet, but I thought that if I kept going I would understand better. BUT i am not. I practice playing the scales but not understanding A, G, E, D shapes. When I joined I followed your Video on UTube, but now I,m getting lost. I have not made comments because I am not at a place of confidence and should be able to understand where and why a SHAPE exist where you point to in to Practice homework. Please Help me. Thank you in advance.

Scott Paul Johnson

Oops. Sent a whole message and it got deleted. I was saying that I've confused a few people by adding the shape names on the Major and Minor scale lessons. Thats something that will make sense a little further on. I have lessons about Triads coming out soon and some lessons after that that will help you clearly make sense of the CAGED shape names. Thanks for being here and thanks for studying with me. Stick around a little longer and I'm certain this stuff will begin to make more sense.

Tasha McManus

Well, that chord progression is now just solidly in Gm, but I’m still curious as to what it would have been called with the other chords (if possible).

Tasha McManus

PS after all of these years, I think I still suck at barre chords. I don’t know how much of it is from my connective tissue disorder (and resulting weakness) and how much of it is just shitty technique or whatever. I have tried to apply info from many tutorials on barre chords, including yours. Any ideas?

Tasha McManus

Here it is: https://youtu.be/9NXNfuF0Vt4

Tasha McManus

PS if you perchance read this: I would love some instruction on playing bass and melody at the same time and in particular irregular bass patterns (if that makes any sense).