Home Artists Posts Import Register

Content

Peeking as always, huh?

Files

Comments

Anonymous

Worth the risk!!!πŸ˜³πŸ‘πŸ˜

Evy

Aaah ! What a sumptuous tattoo ! It's so beautiful and so well done πŸ₯° I love tattoos so much, and I really love this one. A bit goth-esoteric with all those abstract and elegant motifs, and of course steampunk with the gears, pistons and rotors. I'm not usually a huge steampunk fan, I just don't have a preference for it, but I have to say that this steampunk-goth-esoteric combination, all in black and white is just perfect and beautiful πŸ–€ The level of detail in the reproduction is also very impressive and faithful, with all the different shades of black/gray, the dark black for the gears in the neck and the pattern offsetting the spine, lighter tones with the gears between the shoulders and the shoulder blades, and the pattern running down your ribs, and some really gorgeous shading effect just above the elbow. So the level of detail is perfect and the tattoo is beautiful. And so, as she's a tattoo artist and draws, Margo actually did this tattoo πŸ€” ? In any case, the person who did it did an incredible job πŸ˜‹ ! And this way, the hair, the bandages, the gloves, the tattoo, it's all there ! It's definitely VI, no doubt about it ! And on top of that, not just any VI, but definitely the most gorgeous I've ever seen. I mean, you're so gorgeous, so sumptuous, so perfect in that shot. A true goddess. But how ? Well, the first thing I see is the matter, your skin, your flesh, your body, and how does this matter appear ? Magnificent of course, but why does this matter appear so sublime ? Light. Sorry, I'll have to mention that again. It's probably the thing I mention in almost every comment. I guess when you said I never repeat myself in the comments, it was ironic πŸ˜… But sorry, I just can't not mention it, it's too important in the causal source that produced the picture we can see here. There are two interesting effects of light, which influence different layers of matter. Firstly, the tone here, white, transparent, neutral, daylight-like, and one of the effects of this neutral tone is that it's not going to change anything. It will make you appear exactly as you are, and so what it will bring out is the beauty of reality, the beauty of the world as it is. But it's not common, there's a taste for reality 🌿 Some people go to the cinema to see layers of falsification over layers of falsification over layers of falsification, and there are people who go to the cinema to see the real, like when Jean-Marie Straub puts his camera in front of a tree and films it in a continuous fixed shot, without any cuts, for 10 minutes, without any explication. And you know the kind of person I am. It may seem strange, because if you want to see reality, all you have to do is look at it. But precisely, the point of naturalist cinema is that filming reality allows us to see what we no longer see in reality, and even to see reality better, through the eye of the camera and the process of capturing it, to see the reality we don't see any more πŸŽ₯ The example above sounds like a joke, but, when was the last time you stared at a tree for 10 minutes straight ? Yep. That's why naturalist cinema exists, to make us see the reality we don't see any more, and see it even better. And when I see your skin and flesh like that in the shot, I find it extraordinary, I find it moving, I find it so transcendent. It’s the most beautiful skin I have ever seen πŸ₯Ή Because it's the power of the real and of capture that is expressed here, and I think that I see it here probably even better and even more intensely than I could see it in real life, or at least equivalent. I can see every nuance of your skin, every micro-texture, every tiny relief, I can really feel it. And it's an extraordinary, intense and wonderful experience πŸ’– So yes, in terms of what I find valuable and beautiful in this photo, I think that's what produces this effect. The second effect of the light is much more obvious, but still sublime, and that is of course the light-shadow contrast, the way it sculpts your flesh and your curves in such an elegant and graceful way, the way it brings out your reliefs so delicately, which also allows us to feel your shapes and your curves in a visceral and intense way. So, I repeat once again, the light is extraordinary in this photoshoot, and the way your skin appears is even more than perfect πŸ’Žβœ¨ But there's at least a second device that helps to make you appear just as magnificent in this image. The pose, of course, overall, so including the facial expression, the β€œfacial pose” we could say. Because the pose is so charismatic, so elegant, so graceful and bewitching. Armor ? No, you don't need armor. Two gloves ? No, one is enough. You don't even have to look us in the face to fight us. You don't have any vulnerabilities or weaknesses, and that's reflected in that fearless, exposed pose and that fiery gaze 🧑πŸ”₯ And this attitude of confidence and openness to danger is so suited to VI's fearless character. So the incarnation is absolutely perfect for that. And it presents your body in such an elegant and magnificent way, slightly tilted, which highlights your curves and your silhouette with the shadows. And this tilted head, which precisely highlights the shape of VI's wonderful hairstyle. But also the so elegant and perfect features of your face, your cheek, your nose, your jaw 😍 Just absolutely everything is extraordinarily beautiful, elegant and sumptuous with this pose, every single part of you is divine. Again, this image is just a painting, it's just exceptional and sublime πŸ–ΌοΈ And it's definitely the divine, fearless, dangerous and bewitching VI that I love so much with you, the best of all. Incredible embodiment, pose, capture, lighting, framing, you're a goddess in it. It's just perfect πŸ’—βœ¨