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I think I'm going to settle on the nib style of the second to last page, with the forest! As much as I love the brushier ink, it really bothers me how much detail I lose and how unpredictable it is (see the half finished kitchen inks haha) I like the fineness of the nib, and also it's a lot less strain to use because theres very limited pressure! (though whether I'll make up the strain with excessive hatching is yet to be seen) 

It's taken absolutely forever to find something I even slightly like, you can see how many shading attempts are there, and I definitely had A LOT more smaller experiments with screentones etc. I feel like it looks so...non cohesive? To have the flat grey just there, or to have softer effects mixed with the hard lines? It's probably just me, but I had a style I wanted to hit, and I really wasn't getting it! I think the hatching helps blend it better.

(I'm using Kyle Websters old nib, and old brush for the other experiments)

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Anonymous

Mal I hope you know that I am literally SO hyped for this comic!!!! And I'm so obsessed with this loose greyscale style!! 🙌

malacandrax

ALICE that means so much ghbjnsdf honestly I'm...excited to do a smaller thing...with a plot that hopefully meanders less O-O!

Anonymous

God, the guinness coasters on the glass table combo immediately sent me back to the days of visiting my great gran and granda. Love the cosy/sturdy vibes of this house

malacandrax

Thats so so cool and definitely the vibe I want! A lot of generations have made their mark on this house :P