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この投稿の最後のポース(頭上げ)から頭を下げる構図にしようと推しの子(薫)の髪を描き直し始めた。稀衣では夢中で描き直したので苦労は感じなかったが、やりはじめてはたとかなりの労力がいると知った!顔の種類は10数個あるので、全部はとてもじゃない、やりきれないしまだ使用目的もない。 何が大変かと言うと、髪が下がった時の、生え際である。私の画力はプロに比べると全然駄目だが、エロさは妥協できない。エロいと想うのは上村松園の女性の髪の生え際だ。私はこれにこだわったので大変な社業になってしまったのだ。日本画のようにとはいかないが、挑戦した。富士額になっているのがおわかりになるだろうか? --------------------------------- Secondly I started to redraw the hair of my favorite boy (Kaoru) to make the composition head down from the last pose (head up) in this post. I didn't feel any difficulty when I first did with Marei because I was so absorbed in redrawing his hair, but when I started to do it again, I realized that it was a lot of work! There are more than a dozen different faces, so I can't do them all, and I don't even have a use for them yet. What is hard is the hairline, when the hair is down. My drawing skills are not as good as the professionals, but I can't compromise on eroticism. What I consider erotic is the hairline of Uemura Shoen's women. I was so particular about this that it became a very difficult process. It is similarly like a Japanese painting, but I tried. Can you see that his hairline in his forehead is like Mt. Fuji ? In japan, it is a sigh of beauty.

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