Kitkum Sayre EX // OC ( Sketch ) (Pixiv Fanbox)

Hey people...(￣▽￣)／ So the spiciness keeps going up and up...! Our good friend Julius was not satisfied with just a little bit of foreplay, he had to go "all in" with our cute dark skinned elf girl Kitkum. Good luck in your effort young lad...! Also yeah..! I finally decided to use my new anatomical models for something at last. Although I have to say that this decision was more out of curiosity than necessity. ¯\_(ツ)_/¯ I think the scene is complicated only because of the interaction between two bodies in direct contact. But the greatest benefit for the work was that we gained a bit of depth of field and a lot more definition in the boy's anatomy. Everything else I could have handled as usual with my current skills, I think...(´ー` )┌ Now, in theory, anyone would believe that using these figures as a basis for my drawing would help to keep production times lower, but the truth is that I did not notice any kind of reduction in my regular production time. As part of the process, the first sketch based only on drawing the contours of the figures was quite fast, but the final result, although correct, was not entirely to my liking and this is because...yeah, the girl's model has correct and pleasant proportions (See image 03 to appreciate proportions and original position) but at least for my personal taste everything still needed a couple of adjustments. In my drawings I always go for fairly short middle bodies (shoulders to hips) with quite long and thick legs and arms a little bit shorter than normal to balance everything. In the end I am still following the 7½ head canon, but still balancing it a bit differently from the others. In general I spent a lot of time making extra adjustments to the final skech to get to the current result, and very curiously I also have to mention that some of the fixes I did currently involved moving things to the wrong position on purpose. (　￣д￣) ??? This is a little bit of a more esoteric phenomenon in the field of the arts but I believe every artist has something like a sense of internal aesthetics that dictates a lot of the decisions we make on the canvas. I'm not just talking about the rules of composition and all the other things they teach us in art school, I mean a personal sense of "what feels correct instead of what is correct".