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これは悪くない感じに塗れてるかな ("▽"*)

すっごい誘ってる。


なんかエッセイ漫画家のやしろあずきが大炎上してますね🥹

だからと言ってその件で叩くつもりはないです。全然知らん人だし…


私はエッセイが大好きで、webで有名な方のエッセイはほぼチェックしてます。

でもやしろあずきだけは苦手でチェックしてなかった。


なぜかと言うと、虚言としか思えない内容が多すぎるから。

日常エッセイは演出や表現でどれだけ面白くするのかが見所だと思ってる


だけどやしろあずきは内容自体が非日常というか、昔ツイッターで流行った嘘松を見せられてるようで、なんかダメだった。

他にも虚言ぽい内容の作家はいるけど

そういう人は(フィクションです)って書いてあったりする。


日常系エッセイならまめきちまめこがお勧め。

何気ない内容を面白く書けるってのもすごい才能だよな~😏✨


誇張や誇大表現は良いけどエッセイでウソだけはあかん(*・ε・*)


I think this is painted on in a not bad way ("*").

It's very inviting.


There's some kind of essay comic artist Yashiro Azuki is on fire 🥹.

That doesn't mean I'm going to slam her for that. I don't know him at all...


I love essays, and I check out almost all essays by famous people on the web.

But Yashiro Azuki is the only one I didn't check out because I'm not good at it.


The reason is that there is too much content that I can only think of as falsehoods.

I think the highlight of everyday essays is how interesting they make them with direction and expression.


But with Yashiro Azuki, the content itself was so unusual, or it was like being shown the false pine trees that used to be popular on Twitter, that it just didn't work for me.

There are other writers who write fictional stories, but...

But those who write fiction are written with the words (this is a fiction).


For essays on everyday life, I recommend Mamekichi Mameko.

It's also an amazing talent to be able to write about casual content in an interesting way 😏✨.


Exaggeration and hyperbole are fine, but only lies in an essay are not good (*ε*).

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