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Your savior is coming. We review the debut feature of Writer/Director Rose Glass, Saint Maud available to stream on Amazon.  

Watch Saint Maud on Amazon: (UK) https://amzn.to/3wFNHx5 (USA) https://amzn.to/3vAuxHr 

Buy Robin's books (UK) https://amzn.to/2F7Blbf (USA) https://amzn.to/3kmGMD3 

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Summary: There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.  

Written and presented by Robin Bailes @robinbailes 

Directed and Edited by Graham Trelfer 

Lockdown Review S1E63 

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Streaming Review: Saint Maud

Your savior is coming. We review the debut feature of Writer/Director Rose Glass, Saint Maud available to stream on Amazon. Watch Saint Maud on Amazon: (UK) https://amzn.to/3wFNHx5 (USA) https://amzn.to/3vAuxHr Buy Robin's books (UK) https://amzn.to/2F7Blbf (USA) https://amzn.to/3kmGMD3 Facebook: http://on.fb.me/RvhRdc Twitter: https://twitter.com/DarkCorners3 @DarkCorners3 Summary: There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure. This video contains affiliate links. If you click on one of them, I'll receive a commission. Special Thanks To Our Patreons THE SHADOWS Matthew Scrivens, Cecelie, James Herington, Jonathan Harrison, Darren Le Noble, Melanie Atherton Allen, Thorbjorn Helstrom, Pvt_Unicorn_Parts, Scott Nesmith, Lisa Kuta, Normand Richardson, Richard Sadler, John Hepp, Thom MacIntyre, Chantelle Corey, John L., Logistical Nightmare, Joseph Hines, Stephen Crane, Connor Brennan, Christopher Eckart, Anthony Strocks, John S. Savage, Dave Church, You Don't Get to Know, Ford, Jasmine Shafer, Allan Liska, Rachemus, Heroes Horrors and Cats, Ben Simpson, Chris Weakley, Colleen Crouch, steve scibelli, Michael and Heather Bailes, Gappasaurus, Joe Niedbala, Christie Bryden, Dan D Doty, Joseph Dougherty, Chris Hewson, Hidden Trail Video, goddessoftransitory, David H. Adler, Mark Welsh, Micheal Clark THE ACOLYTES Miss Angela Hale, Thread Bomb, David Nevarrez, Johnny Compton, Ian Lewis, Dr Strange Blood, Andrew Adams, Barbara Mosley, C, Mark Maillet, John F Barnmholtz, John Wick, SveVid, Kenneth Carlson, Ron Klym, Toonces DCat, Daren Follweiler, James Vance, Rich Osborne, Joe Goes Over, Tom Lanckman, Nancy A. Collins, Gary Mercer, HankD, Ann Knight, Janna Nicole, Clarence Pitre, D Allen spencer, Fritz Rutz, Joe Porter, Tony Breneman, Thomas Brown, Chris Fischer, Brian Kidd, D R Wellington, Ken Smiley, Richard D'Ambrosia, Matt P, Tim Smith, Milton Knight, Michael Schmidt, Michael Dean Jackson, Peter Grantham, Gemma Crowley, Andrew Weber, Picatea, Jim Rockford, Mystic Cyclone, Prince Charming, Kyle Olson, Ch'aska Huayhuaca, Johnathan Henning, James Robertson, Nils Muninsheim, David Pellot, Raven House Mystery, Albertus Magnus, rachael kafrissen, Janne Wass, Robert Freeborn, David Conner, Amber Wesley, Tony Belmonte, Andy M, Dark_Roast, Henry Brennan, Alex B, Mark Buckley, Uwe Marquardt, Russ Chandler, Simon Ash, Lavaughn Towell, Dave Smith, Melissa Hayes, Ida Umphers, William, Sarah, KwaidanFan, Daniel Adams THE INITIATES BadgerManBadger. Richard G, Fred Theilig, Callum Mostert, Beanbaka, bourbon fedora70, Sean Herlihy, Godfather Minute, james Steadman, Rob, Kevin Hovis, Helcatz21, Dario, Barbara Collins, Carl Dietz, Chad, Magnús Ingi Sveinsson, Evelyn Williams, Double – U, Jakub Łabeński, Andre, Jeffrey Disharoon, G.Kumar Ashleigh Rose, Claire Chandler, Lorna Smart, Seth Coleman, Joshua Allen, Jeff Pleimling, Barry P., VC, Terry LeCroix, Jim Smith, greg Galanos, Clifford Parson, Karl Bunker, Brian Ullmark, Stephen LaPlante, Greg Hartwick, María Gd, Achar, bob de builder, Michael Schwern, GadgetBlues, , Daniel Robinson, Felix Weißig, Jonathan Sanderson, Derek Summers, Shawn Loftis, David Dennis, Greg Turnbull, Rgoer Davies, Written and presented by Robin Bailes @robinbailes Directed and Edited by Graham Trelfer Lockdown Review S1E63 #HorrorMovieReview #DarkCornersReview #StreamingReview

Comments

Anonymous

I've been hearing good reviews on Saint Maud, so I'll have to check it out soon.

Anonymous

I've seen this promoted on Amazon and wondered what it was about. I'll consider it, but I'm not sure if I'm up for "unsettling" right now.

Anonymous

Some of this video is pretty badly compressed. You might want to reformat?

David Nevarrez

Thanks, just added to watch-list. Favorite directorial debuts: John Huston THE MALTESE FALCON immediately jumps to mind, as it is an all-time favorite (wrote about it and the other two versions for a film mag years ago). Bunuel's UN CHIEN ANDALOU, Cocteau's LE SANG D'UN POETE (tho' he'd made a short before), James Whale's JOURNEY'S END, Karl Freund's THE MUMMY, Welles' CITIZEN KANE (tho' he'd made a couple short films already), Maya Deren's MESHES OF THE AFTERNOON, Cassavetes' SHADOWS, Polanski's KNIFE IN THE WATER...I'll stop now, 'cause I know I could go on and on.

Anonymous

I was going to watch this movie, so I'll wait until I see it before watching any more of the review. It certainly sounds a lot better then many recent films. Which is nice.

Anonymous

I had a bit of a mixed response to this, I thought it looked good but I was always one step ahead of the story. I assumed I'd read the book or it was a remake/expansion of TV thing. David Lynch's 'Eraserhead' is a great debut movie. Wim Wenders 'Summer in the City' as well, and although it's technically a TV movie 'Duel' showed what Stephen Speilburg could do.

Anonymous

Lynch - "Eraserhead" and Houston for "Maltese Falcon" are the only two that spring to mind. Although I have a soft spot for Smiths "Clerks".

Stephen Crane

Saint Maud certainly helped re-enforce my antitheist attitude. My favorite first film by a director is Clint Eastwood's Play Misty For Me.

darkcorners

We have an Undead coming up in which we we go on and on and on about this subject - and amazingly we still only mention a few of those you cited. So many great examples. rb

Anonymous

This reminds me of Lars Von Trier's Breaking the Waves, with its central character's startlingly personal relationship to God and the frank discussions she has with Him--even though the circumstances of both films are extreme and horrific, it's honestly refreshing to hear them talking to God the way the would talk to a person they trust completely--since God knows everything you think you might as well just tell the truth, and it's such a relief. The best debut film I can think of in recent years is Jordan Peele's Get Out. Brilliantly made, terrifying and the best script I've seen in the last twenty years.