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In this video, I shared a workflow for creating complex patterns or ambient tracks using a simple sampling technique. Here's a summary of the key points:

  1. Synthesizer Selection: I used the Trident synthesizer for its variety of presets suitable for ambient sounds. However, any synthesizer or sound source, including hardware or sample libraries, can be used, emphasizing the need for tonal sounds.
  2. Sampling Process: I focused on sampling single notes from the bell and mallet category in Trident but highlighted that any category could be used. The process involves recording each preset note into an audio track, ensuring enough space is left for the note to decay.
  3. Editing and Slicing Samples: After recording, I sliced the audio into individual samples based on a grid, normalized them, and renamed them for organization.
  4. Sampler Setup: I loaded the samples into a sampler, distributed them across different velocities, and demonstrated how to play them with varying intensity to trigger different samples.
  5. Note Generation and Modulation: I created a note grid in Bitwig to automate note generation, using various modules to randomize velocity (thereby selecting different samples) and pitch. Voice stacking and modulation techniques were used to add depth and complexity to the generated patterns.
  6. Final Touches: I applied effects like reverb and adjusted settings like attack time and velocity sensitivity to refine the sound. The process can be repeated with different sample sets for varied textures.
  7. Application: This technique is versatile, suitable for creating ambient backdrops, percussion patterns, pads, lead sounds, and even bass lines. It allows for the generation of rich, complex sounds with minimal modulation.
  8. Workflow Efficiency: While the initial sampling might be time-consuming, it's a one-time effort. Once a library of samples is created, it can be reused in various projects to quickly generate complex and interesting sounds.

I encouraged viewers to share their simple but effective workflows and highlighted the importance of experimenting with different sound sources and settings to achieve unique results.

Files

Simplicty beats Complexity?

Here's how I go about it, just like in my last video https://youtu.be/WTJUOSIo_Wk, using a really simple workflow in @bitwig to quickly create complexity. You don't need a lot of modulations or big ideas, just some time to invest. And you'll benefit from it later on, since you can access the samples anytime. More: Triton + PaulXStretch for Drones: https://youtu.be/WTJUOSIo_Wk M1 + Sampler for Pads: https://youtu.be/f0fgMwVmTog -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 or donate via Paypal: https://bit.ly/3cae9t8 🎧 Buy my Music: https://polarity.bandcamp.com/ 💾 Download my Tools / Github / Resources: https://polarity-dnb.de/blog/polarity-music-tools-samples-and-bitwig-presets-update-2019.html 💻 Check out my gear on Kit: https://kit.co/polarity/polarity-music-kit -- DEALZ: 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- SOCIAL MEDIA Discord: https://discord.gg/eWwFBww Blog: https://polarity-dnb.de/blog/ Twitter: https://twitter.com/polarity Reddit: https://www.reddit.com/user/polarity-berlin/ Business Inquiries: robert@polarity-dnb.de Paypal Donations: donate@polarity-dnb.de

Comments

Jarno

Ok, I've figured out why the sample distribution was off, apparently starting the sample name with C3 doesn't work well, but having it somewhere else in the filename works better.

Jarno

I think I figured it out, somewhat (apparently your note grid defaults are different to mine) - but setting voices to mono solved the issue! I am now getting triggers and am replicating (poorly) what you are doing. I guess it is possible to have different device defaults, I was unaware of this. Sorry for the noise -- and thanks again for the great tutorials!

polarity_music

No problem, Jarno, just ask away. I try to include all the information in the videos, particularly mentioning putting the grid in mono mode (I get a lot of questions about this). But it's nice that you figured it out!