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#144 - Timing: The Single MOST Important EXERCISE Concept! (Patreon)

Published:
2021-01-14 14:00:04
Edited:
2021-06-09 13:08:32
Imported:

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Content

Time to work on the current highest voted wishlist topic! Today we talk about timing and rhythm and how to practice that effectively in your routine.

A lot of players associate timing & rhythm with boring rhythm exercises and don't think it's too important when it comes to guitar solos and lead parts - that's why I want to focus on this exact topic today :) Download the tabs and guitar pro files for the exercise below!

This time I created backing tracks instead of video play-alongs since that was requested quite a couple of times during the last weeks. Do you prefer backing tracks or video-playalongs for future lessons?

Files

90% Of Guitarists Struggle With TIMING... (until they do THIS!)

Today we check out the most important guitar exercise concept: how to work on your timing with daily exercises. Get the tabs, guitar pro files, and backing tracks for this exercise here: http://www.patreon.com/bernth Most guitarists completely neglect timing and rhythm in their practice routines and think of boring rhythm exercises when the topic is mentioned. It's a common misconception that timing is only important for riffs and rhythm playing, your shreds need to be tight as well! Today's exercise will greatly help you with that :) Subscribe because you will miss videos otherwise: http://www.youtube.com/bernthguitar My 10-week online guitar courses '10 Steps to Modern Shredding' and 'Sweep Picking Masterclass' can be purchased here: http://www.bernth.at/ Get the merch here: http://www.teespring.com/stores/bernth Instagram: http://www.instagram.com/bernthofficial Facebook: http://www.facebook.com/bernthofficial Thanks so much to all my Patrons for making these videos possible! #guitar #guitarlesson #exercise

Comments

Anonymous
>>51927736

Actually my downloaded pdf and gp file opened in tux don't have the pick strokes, but the vid here does. I'd vote for the play along vid with tabs showing strokes. Great exercise btw!

Anonymous

I like both the backing track and the playalong, as the play along also gives you the bonus of seeing the picking and the fretting action. Congratulations on breaking the 2000+ patreon members.

Anonymous

Backing tracks are just perfect for practicing. I use it with Transcribe to adjust the tempo. Also as a practice tool, in my DAW, I put your BT on a track and I record myself playing the exercice on another track to check if I am perfectly locked with the rythm. Again awesome lesson, definitely justify my subscription to your Patreon. even if I am surprisingly not a metal guy (blues/funk/jazz/fusion guy) your quest for perfect technique is so open minded that I can use it in my own style.

Anonymous

I prefer backing tracks, because I can change the tempo with Transcribe and I hear my own playing. But the video playalongs are also great, we can follow (watch) your fingers. This is very helpful for tricky difficult stuff. So my answer is yet not positive for your question 🙈 I like both 😁

Anonymous

First off great lesson Bernth!! Love the production and presentation on this video, you keep raising the bar. Love it!! Although backing tracks are probably easier for you to make i think maybe the video are the best because we can see your picking/fretting hand technique which definitely helps for those struggling with that. Perhaps a mix is good. I think for this lesson a backing track is better but for other lessons involving licks/scale runs, and/or arpeggios a video play-along would be more suitable. Thanks again my dude!!

Anonymous

I definitely prefer video playalongs. Easy enough to extract the audio from a video, but it's nice to see how you play it.

Anonymous

I'm so happy to be here Bernth, your exercises and the whole production quality is AMAZING! I incorporated what I learned from your videos into my daily workout routine and after only3 weeks my alternate picking is much faster and clearer and my sweep picking technique is also improving (from zero). I'm so thankful! Please keep it up.

Anonymous

Awesome exercise and again great job Bernth

Anonymous

Bernth, thank you for another lessons. It Is possible to add play along video's? We can look at your technique always when we want to practice. It's very helpful. Greetings

Anonymous

What app do you guys use to open the Pdf files?

Anonymous

Hi Bernth, wish you all the very best for this new year. really excited to join the team. thanks for this new promising exercise

Anonymous

I prefer video-playalongs for future lessons. However, an alternation between the two would be fine too.

Anonymous

I practice harmonic scale variations every day but these sequencies are just brilliant. A great addition to my practice routine. Great Lesson.

Anonymous

I’m new... Not really sure where to begin but this looks cool

Anonymous

I am still practicing the alternate picking and was wondering if it would be possible for all the notation/tabs etc. could have the pick direction on the files? I often struggle with not knowing if I am doing the alternate picking correctly without seeing the indication of the pick direction.

bernth
>>51927736

The guitar pro file has the exact picking pattern in there :) You can also use the free program 'Tuxguitar' to open these files. But with this one, it's quite simple: down, up, down, up,... for the entire workout, as described in the video! Hope that helps

Anonymous

This is an outstanding exercise - it's really twisting my brain and hands

Anonymous

If you're using Guitar Pro for this lesson, I found it pretty helpful timing wise if you set the time signature to 8/8 (alternatively you could change the note lengths to 8th notes), especially for lower tempos. It helped me with feeling the contrast of the triplets to the actual beat.

Anonymous

Bernth, brother, your exercises are flat out awesome. This one is probalby my favorite alt picking so far. I have always been stuck playing 2 or 3 NPS for triplet runs...this one really kicks my ass!

Anonymous

I just joined, so sorry for the late reply, hehe. I really enjoy (and prefer) the playalongs since it's keeping me motivated in the same way a IRL-guitar tutorer does. Even if it's somewhat "the same" a GP-file is more static and not as personal, if that makes sense? :)

Anonymous

Bernth, when I do alternate picking for this and most of the other speed picking exercises, I feel my right hand (picking hand) is somewhat hopping, rather than smooth up/down motion like yours.. Is it ok? or otherwise any method /exercise to fix this?? ... And thanks a lot for this very valuable lesson 🙏

bernth
>>64863239

Thanks for asking about that! It takes a while to find the perfect placement, picking angle, and motion - I think I summarized the exercises and discoveries that helped me most right here: https://www.patreon.com/posts/171-5-picking-to-51717777 Hope this helps :)

Anonymous

Bernth, when I practice this exercise in acoustic guitar I found that my notes are not sounding clean. And note to note transition also not clean and accurate. So, I keep practicing this exercise everyday to improve those. Any advice for that..?

bernth
>>70645083

Thanks for sharing this! Acoustic guitar is definitely harder, for me as well :) Practicing this on acoustic is a good idea, I'd suggest keeping trying! Maybe looking into fretting hand/finger technique will help you with this: https://www.patreon.com/posts/194-this-one-can-57031400

Anonymous
>>70645083

Sure, And Thanks a lot for your valuable advice Bernth.. ❤️🙏

Anonymous

Hey Bernth, I'm struggling hard to play it along with the metronome. Would you mind saying how should I count the notes? I see the metronome clicks happen after 6 notes have been played but it's been really hard to not play before or after the next click. Thanks!

bernth
>>72813757

You are playing triplets in groups of 4 - so definitely think in triplets and don't get confused with counting 4 notes during each repetition :) I like the Konnakol system for counting, you would use a phrase like 'ta - ki - ta' to count groups of 3 or 6. You will get it with a couple more practice sessions :)

Anonymous

Hei Bernth! If I understand this correctly you are always counting the rythm (3 or 6) instead of thinking about the 4 group notes. In this excercise it is always one - two - three, one-two-three, or as you wrote "ta - ki - ta, ta - ki-ta" etc.?

bernth
>>74135208

Great question Gabor, yes - I do try to focus on the actual note values so that they are played in time with correct note spacing :) For accents, it can also be cool to focus on the groups of 4, but it can be tricky because you might get stuck in an 8th/16th note mindset and then you lose the rhythm of the sequence. So feeling/counting the triplets here is the challenge and I think it's a great exercise! It's definitely easier to count "ta ki ta" than it is to say "one two three" very fast :)

Anonymous

Thanks for laying this out ...added a twist at the end of each measure add an extra measure and play the pattern in reverse(5678)