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There is nothing better than a huge window to produce a studio light.
In this case I decided to use the white curtain as diffuser (even if this lowers the level of light, it increases the overall quality making it softer), and I used the thick grey curtain to narrow the light source (to make it more directional and more grazing on Hilary C. skin).
This is probably something you're never going to see in other, more professional and photoshopped pictures from other photographers: the grain on the skin of a beautiful woman, the natural appearance of a sacred creature.
I'm not trying to objectify these ladies but, on the contrary, to transmit the sensation of being with them in the same room, feeling the warmth and texture of their skin, with a level of intimacy the over edited pictures elude.
You can transform a hotel room in a studio, and I concentrated a lot of our time together to examine every nuance of Hilary's body this way.

A more close-up, mildly smiling portrait made with the same technique, is going to be posted later today on my regular social media feed, the very last photo in our 3 hours shooting, a photo that I can make even suitable for IG and Facebook with a simple cut.

If you want to learn more about the Bramley Apple Project, or Archives, or DA subscriptions, ask me on bramleyapple@yahoo.com

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Comments

PeatFace

I love the way you portray your apples and appreciate the reality as if we were there. Overly edited images do little for me.

Alan Jas

Great Model & Photos